Louis Ong

New to Lessonface
Classical Voice, Voice Diction
Lesson Fees
$40.00 / 45 Minutes

About

Baritone Louis Ong completed his Specialist in Music degree in Vocal Performance at the University of Michigan in 2020. He previously earned both his Master of Music and Bachelor of Music degrees from Louisiana State University.

During his time in the United States, Louis received an Encouragement Award at the Michigan District of the Metropolitan Opera National Council Auditions and the Jere and Elaine Brophy Award in the S. Livingston Mather Competition in Cleveland. He was also the First Prize winner in the 6th Bangkok Opera ASEAN International Singing Competition (Undergraduate Division).
 
As an active performer, Louis has appeared in more than ten operatic roles. Highlights include Schaunard in Puccini’s La Bohème, the title roles in Mozart’s Don Giovanni and Le Nozze di Figaro, Ford in Verdi’s Falstaff, the title role in Ullmann’s Der Kaiser von Atlantis, and Harašta in Janáček’s The Cunning Little Vixen. In 2019, he originated the role of Ah Chun in the world premiere of Burial with Utah Opera, collaborating closely with composer Tony Solitro.
 

Equally at home on the concert stage, Louis has appeared as a soloist in Schubert’s Mass in G Major with JBCC (2025), the Puccini Centennial Celebration Concert at UiTM Shah Alam, Classical Composers’ Chronoporter at the Permaisuri Zarith Sofia Opera House (2024), and The Piano Solution Teacher-Student Recital at Singapore’s Esplanade Theatre (2023). He is also a regular guest in the chamber concert series presented by Music Makers in collaboration with the Blue Mansion in Penang.

Teaching Style

My teaching style is supportive, structured, and student-centered. I strive to create a positive and focused learning environment where singers feel comfortable exploring their voice while building healthy and reliable vocal technique.

I believe that every voice is unique, so lessons are tailored to the individual needs, goals, and experience level of each student. Whether a student is a beginner discovering their voice or an advanced singer preparing for auditions and performances, I aim to guide them with patience, clear explanations, and practical demonstrations.

As a performer, I emphasize the importance of both technical development and musical expression. In lessons, students are encouraged to develop not only vocal strength and freedom, but also confidence, artistry, and stylistic understanding.

My goal is to help singers build a strong technical foundation while developing the musical and interpretive skills needed for expressive and confident performance.

Curriculum

My teaching method combines classical vocal pedagogy with practical exercises designed to help singers develop efficient and healthy vocal production. Lessons typically include guided warm-ups, technical vocalises, and repertoire work that help students understand how to coordinate breath support, resonance, and vocal freedom.

Key areas of focus include:

•Breath support and body awareness

•Resonance and tone development

•Healthy vocal production and vocal freedom

•Diction and pronunciation for classical repertoire (Italian, French, German)

•Musical phrasing and interpretation

•Repertoire preparation and performance practice

Students also learn practical strategies for effective practice between lessons, helping them build consistency and long-term vocal development.

For more advanced singers, lessons may also include audition preparation, role study, stylistic interpretation, and stage awareness.

My aim is to provide singers with both the technical tools and musical understanding needed to grow as confident and expressive performers.