R. Benjamin Osborne

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Trombone, Euphonium
5.0
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About

R. Benjamin Osborne began his studies in music with the piano at age 5, and then with trombone at age 12. He grew up in Lubbock, TX, where he also received his bachelor's degree in music performance from Texas Tech University in 2002 studying under Don Lucas.

After completing his Bachelor’s degree, Ben took a brief respite from music, spending one year in urban ministry in Chicago and then two years of full-time study at Dallas Theological Seminary, earning a certificate of graduate studies.  In 2007 Ben completed a master’s degree in trombone performance at Southern Methodist University where he studied with John Kitzman.

Ben has served as second trombone of the Austin Symphony Orchestra since 2008.  He has performed on numerous occasions with the Dallas Symphony Orchestra, the Houston Symphony, the Fort Worth Symphony Orchestra, the San Antonio Symphony, and as acting bass trombone for the 2019-20, 2022-23, and 23-24  seasons with the Houston Grand Opera. He has served as faculty at the MasterWorks Festival in Spartanburg, South Carolina, the Crescendo Summer Institute in Saraspatak, Hungary, and The Festival Institute at Round Top.  In August of 2010 Ben was appointed as Lecturer of Trombone at Sam Houston State University in Huntsville, Texas where he currently teaches.

Ben is an artist and clinician with the Edwards Instrument Company and owner and sole proprietor of Edwards House Texas.

Ben currently resides in Conroe, Texas with his wife Rachel and their two children, Zeke and Blythe.

Teaching Style

We all have a 'Why' behind choosing to pursue growth as a musician and on our instrument. Understanding our 'Why' gives meaning to incremental improvements that comes from regular periods of daily practice. Understanding our 'Why' gives purpose to the often tedious processes of developing tone, technique, and consistency.

My teaching often focuses on developing the student's best tone quality. It is the basis of every exercsise, whether simple or intricate. As we sound better, playing becomes more fun. When playing is more fun, we practice more. When we practice more, we sound better.

Once the cycle of growth is in place, making music becomes a natural result of purposeful practicing. My hope is to help the student get into this cycle and find joy on their instrument.

Curriculum

Playing our instrument should be fun, but we have more fun the better we sound. I focus on tone quality above all, starting with simple things like long tones and basic lip slurs. Then we will add one layer of complexity at a time, such as articulation, slide technique, flexibility, etc. within the context of the student's best tone production.

We will always apply what we learn to an etude, study, or piece of music in every lesson. Making music is the point, after all.

Recommended method books:

Foundations for Superior Performance for Trombone or Euphonium - Williams and King

First Book of Practical Studies for Trombone (or Euphonium) - Bordner

Arban-Prescott First and Second Year - an abridged version of Arban's Famous Method

55 Phrasing Studies - Cimera

Studies in Legato for Trombone - Fink

Technical Studies for Bass Clef Instruments - Clark Gordan

Trombone Craft (or Bass Trombone Craft) - Brad Edwards

Lip Slurs - Brad Edwards

Selected Studies for Trombone (or Euphonium) - Voxman

24 Studies for Bass Trombone - Grigoriev

Melodious Etudes Volume 1 - Marco Bordogni ed. Johannes Rochut

Credentials & Affiliations

Adjunct Instructor of Trombone at Sam Houston State University 2010 - present

Second Trombone at Austin Symphony Orchestra 2008 - present

Former Acting Bass Trombone at Houston Grand Opera 2019-2020 season and 2023-2024 season

Masters Degree in Trombone Performance from Southern Methodist University

Bachelors Degree in Music Performance from Texas Tech University

Member - American Federation of Musicians

Member - Texas Music Education Association

Member - International Trombone Association