Find Your Ideal Irish Tin Whistle Teacher for Lessons Online

-2022 to 2025 Accordion Teacher of the year!-Jason’s love of music began at an early age learning piano. A solo pianist and multi- instrumentalist, he loves using his musical gifts and talents to bless others. He plays and teaches many styles of music including hymns and gospel, Celtic, classical, light jazz (Charlie Brown), standards, etc.

I teach recorder and Irish tin whistle to students of all ages and levels. I have a B.A. in Music Performance from Yale University, a Master of Music degree from the University of New York at Stonybrook, and over forty years teaching experience. I founded Denver's first Suzuki recorder studio for children in 2016, and I currently teach at Swallow Hill Music School in Denver.

I have been a music educator for more than four decades, teaching all levels from cradle to “almost grave!” My primary teaching on Lessonface is the mountain dulcimer and lever (Celtic style) harp. Since I participate in traditional music playing on both instruments I like to teach by ear but can provide music since I am a classical musician by trade.

Josh O' Loughlin is a professional freelance musician/ writer/ educator from County Clare in the West of Ireland. His main instruments of focus are the Irish Tenor Banjo, The Mandolin, The Irish Bouzouki, and the Acoustic Guitar.

Music Teacher-Piano, Guitar, Ukulele, Recorder, TheoryPIANO: All ages. Beginners to Advanced Intermediate (grade 6) All styles. As solo and accompaniment instrument.UKULELE: All ages. Beginners to Advanced (grade 3). I mainly use this instrument as accompaniment as I am a singer first, but I cover melodic solo pieces for ukulele too, including music literacy. RECORDER: All ages.

From Warren, Rhode Island, award-winning musician, vocalist, writer, public radio commentator, and dancer, Aubrey Atwater presents captivating programs of folk music, dance, and spoken word. Aubrey is in great demand for performances and classes and has performed throughout the United States as well as England, Ireland, and Canada.

I won a scholarship to study flute and piano at the Royal Birmingham Conservatoire in the UK on the Performer’s Course with Colin Lilley of the City of Birmingham Symphony Orchestra.

I'm one of only four fiddle players worldwide who play purely in the East Galway Irish Music Tradition (EGIMT) — a listening tradition characterised by long, flowing bow strokes, lyrical phrasing, and a preference for the lower, sweeter tones of the fiddle. Less ornamentation, more soul.