MUSICAL BACKGROUND PARTS: Organizing Your Beautiful Chaos
This course is geared to benefit all musical creatives in vital ways, taught in a way that's accessible to nearly any training level. It teaches the timeless, universal nuts and bolts of award-winning musical presentation, so that you can make your music the best that it can possibly be--whether you are a songwriter, self-produced indie, arranger, producer, composer, instrumentalist, or simply play an instrument at any level.
It's actually two courses combined into one, covering a LOT of ground and delivering many valuable tools. Here's what's in it:
CONTEXT:
- Composing, Arranging, Producing: where they overlap, and where they don't;
- Mission statement of an arrangement;
- Different types of changes to music, and their different impacts;
- The "Who, Why and What filter";
LINEAR BACKGROUND:
- Introduction to "vertical and horizontal axis" thinking
- Common tones
- Pedal tones
- Thumb lines
- Doubled thumb lines
- Obligatos (and six different definitions for the term)
- Counter-melody
RHYTHMIC BACKGROUND:
- Pads
- Top voice-leading
- Ostinatos
- Sparsity vs. Clutter
- De-cluttering your parts and production
- Implied harmony
- Separating problem intervals
- Concise writing
- Contrasting your parts by sonic texture
- Contrasting your parts by what they do
CAPSTONE: APPLYING YOUR TOOLS & MANAGING YOUR ENTRANCES
- What "Free Areas" are
- The Envelope
- Un-painting yourself from a corner
- Passion vs. Perfection
- Reinforcement, review & highlights
- A few perspectives & tips on audio engineering
- Final reminders & wrap up

Byron Fry
Hi! Multi-#1-hit songwriters, multi-platinum producers and grammy winners have hired me repeatedly as a composer, arranger, orchestrator, producer and/or guitarist, and I LOVE TO TEACH. All levels, in fact.